![]() ![]() Escape plan: Quicksilver Rising Sun Pictures worked on the stunning Quicksilver kitchen scene. Legacy Effects handled a number of make-up effects, with Framestore contributing concept designs for the 1970s Sentinels and The Third Floor delivering previs and postvis services.įxguide spoke to Richard Stammers and the major VFX houses to explore just some of the major effects sequences from the film. Leading the effects charge was VFX supervisor Richard Stammers and VFX producer Blondel Aidoo, who oversaw the work of several facilities: MPC, Digital Domain, Rhythm & Hues, Rising Sun Pictures, Mokko Studio, Cinesite, FUEL VFX, Vision Globale, Hydraulx, Method Studios and an in-house team. A number of key action sequences were shot mono and then post-converted by Stereo D. and the future.ĭays of Future Past was captured by DOP Newton Thomas Sigel shooting with with ARRI Alexas on 3Ality stereo rigs in and around Montreal. The film features a raft of visual effects challenges, from polymer-based 1970s ‘Sentinel’ robots to future shapeshifting versions of the same thing mutants with speed, fire, ice, transformation and portal-ing powers and destruction and battle scenes in 1970s Washington D.C. The character of Storm (Halle Berry) returns in Bryan Singer’s X-Men: Days of Future Past. Now Singer returns with X-Men: Days of Future Past, in which mutants in the near future, and in the past, fight a new war. ![]() ![]() Since then there have been three other pics based directly on Marvel’s mutant characters, plus two Wolverine spin-offs. For many filmgoers, Bryan Singer’s original X-Men – released in 2000 – served as one the first successful examples of a modern superhero/comic movie. ![]()
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